Manifestations of the relationship between myself and others in O Cemitério dos vivos, of Lima Barreto
DOI:
https://doi.org/10.33448/rsd-v9i12.10960Keywords:
Lima Barreto; Literature; Society; Antonio Candido; O Cemitério dos vivos.Abstract
This article intends to investigate the possible relations between the literary product and the social universe using as basis the work O Cemitério dos Vivos, by the carioca author Lima Barreto. In order to do so, it is necessary that a new approach takes place on the properties that involve the Literature category and also the category society and at what point these two points unite and contribute to the elaboration of the aesthetic product represented by the literary work. To substantiate this article, we used the theoretical contribution defended by Candido (2006), whose approach about the relationship between literature and society is essential for the objective here intended. We also approach Schwarcz (2017) and Kilomba (2019), whose perspectives marked by the social perspective of man were addressed with emphasis in this article. The work of the writer Lima Barreto delimited here presents aspects very close to the social context surrounding this author, which provides a more detailed approach to this relationship. Thus, this article tried to show, through content analysis, and to a lesser formal degree, the support where such categories, literature and social scope are found in the work O Cemitério dos Vivos. In the conclusion of this study, it was verified that the relationship between the writer Lima Barreto and the social environment to which he belongs is determinant for the materialization of both exterior and interior nuances, thus exposing the link between the subjective element (I) and the exterior element (represented by society).
References
Barreto, L. (2010). Diário do Hospício; O Cemitério dos Vivos. (2010) São Paulo: Cosac Naify.
Blanchot, M. (2011). O espaço literário. Tradução: Álvaro Cabral. – Rio de Janeiro: Rocco.
Calvino, I. (2006). Assunto encerrado: discurso sobre literatura e sociedade/ tradução Roberta Barni. – São Paulo: Companhia da Letras.
Candido, A. (2006). Literatura e sociedade, Ouro sobre Azul | Rio de Janeiro.
Candido, A., Rosenfeld, A., Prado, Prado, D. A., & Gomes, P. E. S. (2009). A Personagem de Ficção. São Paulo: (11a ed.) Editora Perspectiva.
Costa, M. T. A. (2018). Diário do hospicio de lima barreto: auto ficção e escrita fora de si. Escrituras del yo como formas del ensayo. Autobiografía, autoficción, cartas, diarios, testimonios en textos latino-americanos.
Cuti. (2009). A consciência do impacto nas obras de Cruz e Sousa e de Lima Barreto. Belo Horizonte: Autêntica Editora.
Facina, A. (2004). Literatura e sociedade. Rio de Janeiro: Jorge Zahar Ed.
Foucault, M. (2013). História da Loucura. (9a ed.) Tradução: José Teixeira Coelho, São Paulo: Perspectiva.
Hidalgo, L. (2008). A loucura e a urgência da escrita, Alea vol.10 no.2 Rio de Janeiro July/Dec. 2008, http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1517-106X2008000200005, acesso em 30 de outubro de 2018.
Kilomba, G. (2019). Memórias da plantação: episódios de racismo. Rio de Janeiro: Cobogó.
Lejeune, P. (2003). Definir autobiografia. In: MOURÃO, Paula (Org). Autobiografia. Auto-representação. Lisboa: Edições Colibri.
Oliveira Lima, M. Prefácio. In: BARRETO, Lima. (2011). Triste Fim de Policarpo Quaresma. Publicado pela primeira vez em O Estado de S. Paulo, São Paulo, 13 nov. 1916. São Paulo: Penguin & Companhia das Letras.
Pereira A.S. et al. (2018). Metodologia da pesquisa científica. [e-book]. Santa Maria. Ed. UAB/NTE/UFSMV.
Resende, B. (2016). Lima Barreto e o Rio de Janeiro em fragmentos/Beatriz Resende. – (2a ed.) rev. – Belo Horizonte: Autêntica Editora.
Schwarcz, L. M. (2017). Lima Barreto: triste visionário, (1a ed.) – São Paulo, Companhia das Letras.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 José Vieira Chaves Neto
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
1) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.