Fashion: its relationship with fashion design and the importance of teaching
DOI:
https://doi.org/10.33448/rsd-v9i7.4829Keywords:
Fashion system; Social phenomenon; Clothing; Teaching.Abstract
Fashion is a social and cultural phenomenon that expresses the values of society in terms of uses, habits and customs, in a given time, which integrates the simple use of clothes on a daily basis in a complex political and sociological context. The act of dressing is a form of non-verbal communication and clothing takes on the important role of transmitting relevant meanings from its issuer and also of placing it in its universe of belonging. In this article, the main objective is to highlight the concept of fashion and the relationship with fashion design and teaching. The methodology is based on the state of the art, in the perspective of qualitative research and in the descriptive approach based on three main works, by the authors Barthes, Bourdieu and Lipovetsky. It could be inferred that from fashion as a system based on continuous variations and in the contemporary and globalized world, the fashion designer is constantly challenged by new trends in materials and markets and by new social and behavioral concepts.
References
Barthes, R. (1979). Sistema da moda. São Paulo: Cia. Editora Nacional.
Barthes, R. (2005). Inéditos 3: imagem e moda. São Paulo: Martins Fontes.
Barthes, R. (2006). Elementos de semiologia. São Paulo: Cultrix.
Bourdieu, P. (2007). Questões de sociologia. Rio de Janeiro: Marco Zero.
Calanca, D. (2011). História social da Moda. São Paulo: Senac.
Castilho, K. & Martins, M. M. (2005). Discursos da moda semiótica, design e corpo. São Paulo: Anhembi Morunbi.
Crane, D. (2009). A moda e seu papel social: classe, gênero e identidade das roupas. 2. ed. São Paulo: Senac.
Liger, I. (2012). Moda em 360º: design, matéria-prima e produção para o mercado glogal. São Paulo: Senac.
Lipovetsky, G. (1989). O império do efêmero: a moda e seu destino nas sociedades modernas. São Paulo: Schwarcz.
Löbach, B. (2001). Design Industrial: Bases para a configuração dos produtos industriais. Rio de Janeiro: Edgard Blücher.
Miskolci, R. (2007). A Teoria Queer e a questão das diferenças: por uma analítica da normalização. Disponível em: http://alb.com.br/arquivomorto/edicoes_anteriores/ anais16/prog_pdf/prog03_01.pdf. Acesso em: 14 jun. 2019.
Moura, M. (2008). A moda entre a arte e o design. In: PIRES, Dorotéia Baduy (org). Design de moda: olhares diversos. São Paulo: Estação das Letras.
Pereira, A. S., Shitsuka, D. M., Parreira, F. J., & Shitsuka, R. (2018). Metodologia da pesquisa científica. [e-book]. Santa Maria. Ed. UAB/NTE/UFSM. Disponível em: https://repositorio.ufsm.br/bitstream/handle/1/15824/Lic_Computacao_Metodologia-Pesquisa-Cientifica.pdf?sequence=1.
Treptow, D. (2013). Inventando moda: planejamento de coleção. São Paulo: Edição da Autora.
Vicent-Richard, F. (1989). As espirais da moda. Rio de Janeiro: Paz e Terra.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish with this journal agree to the following terms:
1) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
