Walking through the crevices of the junctions of incompatibles
DOI:
https://doi.org/10.33448/rsd-v11i6.29290Keywords:
Opening; Interstice; Negative; Remnant; Spectrum.Abstract
Interstices are minority fields that, because of their opening, are capable of causing opacity in that which, apparently, presents itself with irreducible clarity. Resulting from an incomplete and maladjusted [at the least dual] marriage between the signs/entities that originate them, this interval may destabilize and cause disorder in these entities and their own meanings. The interstitials offer a hyphenated relationship: a simultaneous union and separation, a spacing between the entity’s identity and its otherness or, alterity. One and the other may no longer be seen without the crack or fissure that now separates them, uniting, by a space-time lapse. Ontological, semantic shifts are caused by this fissure, an absence between one and the other, one with and against the other. Based on an improbable approximation between some conceptual and semantic shifts within the design production of architect Rem Koolhaas and the textual production of the philosopher Jacques Derrida, this article questions the notion of unity, coherence, affinity, and complementarity in the process of construction of thought from these ontological, epistemological, and semiological fissures that rattle the signs/entities and their stable meanings. Fissures in a thought that is considered coherent, cohesive, formatted are the negativity that constitutes the interstices that allow us to move towards what still remains as non-identity, which allows us to begin another story.
References
Deleuze, G. (2010). O que é a Filosofia? (3th ed.), Editora 34
Deleuze, G. (2010). O que é a Filosofia? (3th ed.), Editora 34
Derrida, J. (1978). La Vérité en Peinture. Flammarion
Derrida, J. (1974). Glas. Galilée,
Derrida, J. (1995). Khôra. Papirus
Derrida, J. (2004). Gramatologia. (2th ed.), Perspectiva
Derrida, J. (1991) Margens da Filosofia. Papirus
Freud, S. (2019). O Infamiliar. Autêntica
Giacoia, O. J. (2013). Heidegger Urgente. Três estrelas
Heidegger, M. (2007). A origem da obra de arte. Edições
Heidegger, M. (2008). Parmenides. Editora Vozes
Koolhaas, R, (1978). Delirious New York. The Monacelli Press
Koolhaas, R & Mau, B. (1995). S,M,L,XL. The Monacelli Press
Koolhaas, R. & Boeri, S. & Kwinter S. & Tazi, N. (2001). Mutations. Actar
Koolhaas, R. (2014). Três textos sobre a cidade. GG Brasil
Kristeva, J. (2005). Introdução à semanálise. (2th ed.), Perspectiva
Nietzsche, F. (2001). Além do Bem e do Mal. Preludio a uma Filosofia do Futuro. (2th ed.), Companhia das Letras
Peeters, B. (2013). Derrida. Civilização Brasileira
Safatle, V. (2005) A Paixão do Negativo. Lacan e a Dialética. Editora UNESP
Samoyault, T. (2008). A Intertextualidade. Hucitec
Safranski, R. (2013). Heidegger, um mestre da Alemanha entre o bem e o mal. Geração editorial
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Igor Guatelli
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
1) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
